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Cinema grade vs lumetri color3/25/2023 ![]() For each group, you can designate one “Hero” shot to which all the other clips in the group will be matched. To assign clips to a group, first select the color and then click on the clips you want to add. Shot Matching in Cinema Grade gives users the ability to group similar shots into color-coded categories to quickly compare and copy color corrections. Focus on color correcting these particular clips first. We recommend previewing your clips to determine which ones best represent the majority. But, it’s important to realize the purpose of this step is to correct and color balance your clips. You can utilize all the color tools in the Basic Correction Correct panel. Cinema Grade doesn’t limit you to primary corrections at this stage. You can also apply specific camera and conversion LUTs for log and raw formats before color balancing. This mode is for color balancing your individual shots. We’ve already covered the layout and tools in each of these interfaces, but now we’re going to look at them in terms of workflow order. The steps in the workflow are right at the top of the interface: Basic Correction, Color Matching, Final Grade. But Cinema Grade has a specific workflow that, when used, is very powerful and efficient. You’ll love it just for adjusting the hues of objects in your shots. You can use Cinema Grade however you want, obviously. The interface cleverly hides tools so that the image is the biggest thing in the interface, as it should be. There’s so much more to Cinema Grade than meets the eye, and we mean that literally. ![]() Does this make Cinema Grade any less of a professional tool? Absolutely not! Anyone doing color grading can benefit from Cinema Grade.Īt the end of the day, regardless of user skill level, once you “buy in” to Cinema Grade’s approach to color grading, it’s blazing fast! Especially for making isolated hue adjustments.īut let’s not get ahead of ourselves just yet. It’s the color grading software of tomorrowĬinema Grade is targeting individuals-filmmakers and video creators-as opposed to the professional editing and color grading market. In fact Cinema Grade claims professional results without the “pain and frustration” of traditional color grading tools. When shooting under this particular profile, the resulting image looks flat, low on contrast, and somewhat washed out.Cinema Grade identifies itself as a “modern color grading software for the independent filmmaker.” Two things you can glean from this marketing statement:Ĭinema Grade is going to look and feel more progressive than the color tools you’re used to. LOG on the other hand is a format widely used by film and tv professionals. The videos you get are more-or-less OK straight out of the camera. STANDARD as the term says is what most of us record our videos at. Now there lies a great difference between STANDARD and LOG videos. Most video editing and color grading applications support the CUBE format but a few support only the 3DL format. They are exactly the same thing but in two different formats. Technically speaking, both 3DL and CUBE formats do the same job. ![]() ![]() Our 100+ free color grading LUTs pack for cinematic film look features LUT files in 3DL and CUBE formats for both S TANDARD as well as LOG footage. With cinematic LUTs, you can very easily emulate the looks and colors of major Hollywood movies. Therefore, LUTs are color-grading presets that can be applied to videos during post-processing. Think of them as Lightroom Presets but for videos. In most simple words, LUTs or Look Up Tables are tables of numbers that can change the color of your footage. They not only make color grading easy but also give your videos a professional and cinematic film look.īut what exactly are these LUTs and how do they work? LUTs are great for color-grading your videos. ![]()
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